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It was almost a foregone conclusion that Beyoncé, with her nine nominations, would break Solti’s record. She forced a grin, looking uncomfortable, while her husband, Jay-Z, chewed his food. Ladies and gentlemen, Beyoncé Knowles,” he said. “You know, when you equal a record, there’s no way you don’t get to hold your Grammy in your hand and celebrate that.
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When Beyoncé finally arrived at the arena, he found her at her table and personally handed her the trophy she hadn’t earlier been able to accept. “I was so inspired by the lyrics of ‘Break My Soul’ that I actually quit my job,” he joked. During his opening monologue, Noah quickly reminded the crowd of what the ceremony’s narrative would be: giving Beyoncé, who was nominated for nine awards but needed only four wins to break the record, her due. Even if the Recording Academy voters have not always properly honored Beyoncé’s work, the show and its host, Trevor Noah, worked overtime this year to remind the audience of the Grammys’ respect for her towering greatness, and the historic nature of the evening. This year, in the wake of “Renaissance,” Beyoncé’s long-awaited follow-up to “Lemonade,” the Grammys broadcast seemed intent on correcting the course, or at least distracting the viewer from it. The ‘ Lemonade’ album was so monumental.” “I can’t possibly accept this award,” she told the crowd.
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When Adele won Album of the Year over Beyoncé, in 2017, there was such a sense of cosmic injustice that Adele herself could not bear the result. But it was a complicated achievement when considered against the backdrop of Beyoncé’s Grammys history, in which she has also been one of the Recording Academy’s most overlooked artists, racking up smaller genre-based wins yet mostly losing out in the awards’ headlining categories. Song for “Cuff It,” a highlight from her 2022 album, “ Renaissance,” she tied with the conductor Georg Solti for the highest number of Grammy wins. For one, she was late to the ceremony-reportedly owing to traffic-and unable to collect a historic trophy. In what seems like a nod to Bey and Jay’s early days together, there’s even a “Bonnie and Clyde” song from Brigitte Bardot and Serge Gainsbourg.Two categories into last night’s Grammy Awards broadcast, Beyoncé found herself once again achieving an awkward status within the universe of the Recording Academy. Queen Bey also took the time to share an extensive playlist made just for Jay, titled “IV Ever Ever.” The song collection tactfully eschews works from Beyoncé or Jay Z’s own oeuvres, instead featuring romantic tunes from artists like D’Angelo, Sade, Marvin Gaye, Frank Sinatra, and Coldplay (“Fix You” is apparently a classic for Beyoncé, too).
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That seems like a fair statement on their current status: 2017 promises to be especially fruitful for the couple, given that they’re expecting twins this summer. “I don’t have any reason to cry, and I have every reason to smile,” the lyrics start off. It’s available in its full form exclusively on Tidal-that’s Jay Z’s music streaming platform, after all. The video is a compilation of low-fi home video clips of the loved-up duo, showcasing their seemingly picture-perfect relationship, all memory of Lemonade stripped away. To mark the occasion, Bey herself shared an updated music video for the spare, romantic ballad “Die With You,” a song she originally released on their anniversary two years ago. This year, the Queen and her consort celebrate nine iconic years together as music’s reigning power couple. April 4 is a major holiday: it’s Beyoncé and Jay Z’s wedding anniversary, of course.